Influences

Filed under by Emma Phillips on 01:48

I decided to look on Vimeo for ideas from videos that people have already filmed in order to improve my thriller and gain knowledge and ideas for shots and scenes to not only boost the overal grade my thriller recieves, but also make it more convincing and professional looking.


The angle of the wall in the shot makes it look interesting, as well as the worn out wallpaper adding a sense of an abandoned building that has many stories to tell. I also think that the constant lower case text, that also ranges in sizes, is also very interesting to look at, as well as adding a spooky twist onto the film. This will influence the openings on my thriller because me and my partner, Nathan Roe, believe it looks very effective and professional, and has the kind of opening our media companies would look for and enjoy.

http://vimeo.com/12149468

Filming Day

Filed under by Emma Phillips on 06:25

When it came to filming our thriller, everything was relatively straightforward and pretty compliant to the main idea and plan we first had. However, filming during the snowy weather meant that acting was made difficult due to the -5 degree temperatures and therefore we had to stop filming and return home to put more layers on, in fear that the final acting appearance would not be convincing or professional.

Due to filming being started at around 9:30am, lighting was almost perfect and we were able to gain some very effective shots that, despite the cold weather, worked well with the snow on the ground. The snow also, when looking back at the footage, made the scene look yet more creepy and scar, adding to the overall atmosphere we first desired when planning the story line for our thriller.

The actors, despite the cold weather however, were very professional and often added their own input and ideas to what we could improve on and the range of shots we could include in order to improve the effectivity of our opening. They followed direction easily and often elaborated on given topics which overall improved the scene we had just filmed.

On the other hand, we did have issues with the battery life of our camera and therefore were rushed at some points to get the shot we needed quickly- adding to the stress and pressure on the actors to perform adequately. This did not matter however when we returned to Richard Powell's house in order to film the first scene of our opening as we were able to charge the camera and use it at the same time; therefore not loosing any time.

Creating props, such as the noticeboard covered in pictures of the victim (Aimee Hunt) and getting photo's we had taken that day of the scene and alledged rape scene off a memory stick also took up quite a lot of time when we were limited due to my partner, Nathan Roe having work at half past four. However, spending time on such things had a very positive outcome and added to the overall image and atmosphere we wanted to create.

By managing to film all in one day, we were able to eliminate many continuity errors, however we did have to watch this certain problem after returning home for more layers; by putting smaller layers under the coats/shirts etc that our actors were wearing.

Overall, I believe the filming of our thriller went very well and we were able to create the atmosphere we first intended too. We managed to chose actors that not only had performance knowledge, but also great media and filming knowledge as they are also media students, making them more dynamic and useful to us.

Thriller Openings & Examiners Advice

Filed under by Emma Phillips on 03:51

From last years examiners report and thriller openings we have studied as a class, we have concluded that our thriller must be different to anything seen before, of which has avoided all cliche's associated with this certain genre of film (such as woods, stalkers etc). However, it must include conventions of which are typical and that have been discovered through independent research. Our target audience must also be clear, using questionnaires to gain evidence and analysing each result thoroughly.

We must also include within our blogs strong evidence of planning through materials such as storyboards, scripting and through detailed organisation of shooting days.Animatics (serires of stills made into a short movie) may also be included in order to give details about the scene we will film in.

For extra points, we may produce our own production logo in order to make the thriller more realistic.As well as this, we need to consider costumes, props and locations in great detail, as everyday objects and people doing everyday things will do nothing for the atmosphere and mood we wish to create.

Mise-en-scene also needs to be considered greatly. We need to dress every set we use, and ensure we do not make errors such as leaving equipment in the view of the filming, as well as ensuring characters look realistic and persuasive. Continuity errors must be non-existant, especially if we take longer than one day to film certain shots.

We must also find an interesting way to show credits, as stereotypical credit rolls are uninteresting and will fail to gain us the marks we require. Instead, we need to create interesting credits with stills/shots in the background- giving some clues to the rest of the film. Music also needs to be carefully chosen, however we may use the voice over we planned.


Stills from the opening of the film, "Se7en"

A Typical Scenario for Date Rape Drug Useage

Filed under by Emma Phillips on 05:04

  • The victim is at a party or bar and has something to drink. The attacker somehow slips a Rohypnol tablet into the liquid - perhaps when the victim turns their head or leaves their drink to go to the bathroom. Rohypnol tableyts are white and are single or cross-scored on one side with ROCHE and 1 or 2 encircled on the other. Graphics courtesy of U.S. Dept. of Justice

  • About twenty minutes after finishing their drink, the victim begins to feel very disoriented, or "drunk." Victims of Rohypnol have often only had one or two drinks, and they remember feeling much more drunk than they should have been.

  • The attacker volunteers to escort the "sick" or "drunk" person home. Once out of the public eye, the attacker may take the victim to a hotel, to the victim's home, or to other places.

  • Several hours later, the victim wakes up feeling very disoriented. They can't remember what happened after they left the party, but they may find evidence that something was done to their body while they were "asleep."

  • Many victims raped under the influence of Rohypnol are unsure whether or not they were raped, because they have no memory of the event. It can take several days to piece together a story from eyewitness reports.

  • Rohypnol has been used to rape both men and women.


  • From research like this, we can reflect such events within our thriller.
    http://dawn.thot.net/rohypnol.html

    What is special about our media product?

    Filed under by Emma Phillips on 04:57

    Throughout our media product, we are going to include as many psychological experiences related to the current market to many social aspects within the form of  'Rape.'  Consistant flashback and blury footage will relate to the certain parts of rape but not give away too much of the incident.  Therefore, by doing this we can keep the audience in suspense, but also leave them thinking of what might happen next. In addition to this, the questions we want to pose throughout the movie towards the audience are; What happens next? Does the girl get rapped? Is the rapist still on the loose?



    Our thriller has a unique selling point by being related to topics and debates that are currently very popular in the media. Rape and drugs such as "Date Rape" are common within our society at the moment and therefore creating a thriller based on such events will not only raise awareness, but also educate people as to the dangers doing everyday activities pose. Our thriller moral and plots can relate to anyone and therefore we aim to make people realise that dangers like this can just be around the corner, and that by not doing what your supposed too, incidents may occur with no one there to help you, because no one knows where you are.Young people across Britain need to be educated about such events, and we aim to do that.


    What is our task?

    Filed under by Emma Phillips on 04:50

    The task given to us was to create a two minute opening (approx) for a thriller film. For inspiration, we looked and studied other thriller openings, in order to give us ideas on all aspects of a thriller- such as conventions, camera angles, sounds etc. Thriller conventions suggest that thriller's should contain, a dark and gloomy atmosphere with no shortage of suspense and tension, both a villain and a hero, very fast paced with frequent action, and possibly with an eminent death. As well as this, we have to take into consideration the age rating our thriller opening would be shown to. Age rating is important because if we were to film for a PG rated film, it would limit the amount of violence, blood and gore that can be shown in the film- decreasing its characteristics as a thriller. On the other hand however, if we were to film for a BBFC rating of 15, we would be able to show the adequate levels of violence, blood and gore required. This way we can easily keep up with the thriller genre, as well as making it appealing and suitable for the largest audience possible.

    The aim of the first 2 minutes of a thriller should be to establish what the story will possibly be about, as well as givng the audience an opportunity to meet the main character/characters. As well as this, it will inform the audience of the actor’s names and personal qualities of whom are starring in the film. Thriller films conventionally start with either a crime, murder or chase, giving some idea to the plot and rest of the film, yet still keeping the main points secret. The editing is nomally slow paced at first, but when action scenes occur, the editing and shooting quickens in pace in order to create/increase dramatic tension. Instrumental music will also crescendo in order to emphasise the event in question. Usually, thriller films consist of mainly power shots. This means, to show weakness of a character, the camera would be positioned high angled down and to show the importance or power of the character, the camera would be positioned low angled upwards. Long shots often appear at the start of the film or scene, to establish location, time and setting, and close ups are used to show great detail in facial expressions or reaction shots in a character or detail of an object.

    The sound effects and music used in a thriller film is often added in during the editing process with the exception of dialogue- unless narrative speech or voice over is being used. Using music in the background gives an element of excitement, building up the overall affect for the viewer and eliminating boredom. Sound effects also help the film seem more life like and realistic, by amplifying ordinary sounds you would hear naturally on set, so the audience pays more attention to them. Sound effects, such as door squeaks, creaky floorboards, wind howling and gunshots are imported during the editing process. Folio artists will record sound effects for films, which make them seem realistic.

    During the making of a thriller, mise-en-scene is taken into great consideration, as every detail needs to be outstanding in order to portray a believable thriller opening. Continuity is very important in any film, as good continuity makes a film believable, and therefore to eliminate any chance of having continuity errors, we will record each shot several times and attempt to film everything on our one filming day.By doing this, weather will remain the same and also the general appearance of the actors and extras.

     To further research, we studied and analysed several thriller openings, such as "Momento", "Psycho", "Donnie Darko" and "Jagged Edge", giving us a wide range of ideas of what a professional thriller opening should look like, and just how professional our thriller needs to be in order to be believeable. This reseach material gave us no choice but to take into consideration aspects such as camera shots i.e. long shot, mid shot and close up, sound i.e. diegetic and non diegetic, mise-en-scene i.e. what is seen in the shot and how exactly we can gain neccessary affects needed. We also learnt about different thriller conventions, but often some directors may break these conventions in one of the many sub-genres to thriller, such as romance, black comedy, horror and psychological.

    Plans for Thriller

    Filed under by Emma Phillips on 04:30

    We will begin filming at approx 9-9.30am in order to give us the best lighting conditions possible, as well as allowing us plenty of time to film each shot several times to make editing easier and ensure our thriller is realistic. We will use actors from a performance studies group to make sure acting is convinving and believable, and dress them all in school uniform (shirt and tie), so you can relate properly to the ideological plot we had in mind.

    We will film the final still and scream on Sunday 27th in order to save time on the day.

    Our plan for the day goes as follows;
    November 30th
    9am- meet at first location (bedroom shoot)

    SECOND LOCATION- Derelict, unused area (for flashbacks)
    10am- take photo stills to flash up during introduction/1st scene (In Baston)
    10.15am- film second scene
    3pm- leave Baston


    PROP LIST-
    Rope
    Bag of "Drugs" (talken powder)
    Rucksack
    Diary
    Alcohol bottles/cans
    Water Bottle
    Mobile Phone

    ACTOR LIST-
    Male lead- Kieran Gabitus
    Female lead- Aimee Hunt
    Extra's- Richard Powell

    Voice Over- Thriller Opening

    Filed under by Emma Phillips on 07:09

    At the beginning of our Thriller, we will have the victim (acted by Aimee Hunt) to read the following script;

    "My name is Alice. I am your friend, your next door neighbour, your babysitter. I am a sister.  I am a daughter, I was a girlfriend and I am just like any of you...

    My story is not unlike many others, and although it may appear simple, it is complex with various, intricate, and nearly unfathomable occurrences.

    I was completely in love and I thought he was too.

    The basic abuse cycle: tension increases, trivial disagreements, leading the perpetrator to force himself upon the victim.

    Leave him? How could I? He had a strangle hold on me. Confidence shattered, emotions devoured... I was exactly where he wanted me.

    No one would believe me; no other man would ever want me. I just wasn't good enough. I believed him. It happened over and over again- but I never changed... I always went back."

    Interview Results, and What Can Be Included in a 15 Film

    Filed under by Emma Phillips on 06:44

    We decided to ask 30 people 1 question about what genre their favourite film was,  and which genre of film they would chose to watch if they had a choice.

    
    From these results, we can conclude that thriller is a popular type of film and therefore we need to make our thriller available to a wide audience, for instance by making it have a BBFC rating of 15, rather than 18.

    Stated by the BBFC;
    No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.
    The work as a whole must not endorse discriminatory language or behaviour.
    Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.
    Strong threat and menace are permitted unless sadistic or sexualised.
    Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised.
    There may be frequent use of strong language (for example, ‘fuck’). The strongest  terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.
    Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.
    Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely  to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.
    No theme is prohibited, provided the treatment is appropriate for 15 year olds.
    Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.

    Preliminary Shot List

    Filed under by Emma Phillips on 04:16

    Our preliminary task contains;

    •  close ups
    • extreme close ups
    • high angle shots
    • mid-shots
    • long shots
    • diegetic and non diegetic sounds
    Within our preliminary, we followed the "Rule of Thirds" in order to frame each shot.

    Thriller Questionnaire

    Filed under by Emma Phillips on 02:13

    Here is a questionnaire I have created in order to ask 20 people and gain sufficient information about the thriller genre of films, and the publics opinions on them. This questionnaire and the results I gain from it will help me when completeing my pitch, and in the general production of my thriller.

    The BBFC

    Filed under by Emma Phillips on 08:10

    The BBFC's is a non-governmental organisation, funded by the film industry with a main aim to put a classification on every film and video game that attempts to make it into the public eye in the UK before it becomes open to everyone in cinemas and on DVD's etc.

    The BBFC states;
    "We give the public information that empowers them to make appropriate viewing decisions for themselves and those in their care. We help to protect vulnerable viewers and society from the effects of viewing potentially harmful or unsuitable content while respecting adult freedom of choice"

    Universal- suitable for all ages
    Parental guidance is advised
    Aged 12 viewers and over
    Children younger than 12 can view the media in prescence of an adult
    Not suitable for people under 15 years old
    Not suitable for people under 18 years old

    "The ‘R18’ category is a special and legally restricted classification primarily for explicit works of consenting sex or strong fetish material involving adults. Films may only be shown to adults in specially licensed cinemas, and video works may be supplied to adults only in licensed sex shops. ‘R18’ video works may not be supplied by mail order. "
    From this, I am going to produce my thriller to a BBFC rating of 15, so it appeals to a wider range of people across the world. It will also be able to contain typical thriller motifs and stereotypical factors, without being insulting to the consumer.

    Media Institutions

    Filed under by Emma Phillips on 07:52

    For my thriller film, I have decided to use "Universal Pictures" as my media institution, in order to produce and distribute the thriller opening I will have both shot and edited. I have chosen this particular institution due to their mass popularity and success all over the world,dating back from the 1910's, and undoubtedly their ability to make almost any film enjoyable and profitable by people of all ages and cultures. They are known all over the world for producing films that are both timeless and reflect my thriller film opening, such as Jaws, The Bourne Identity and Van Helsing. "Universal Pictures" have not only diversed into the entertainment business for in the interest of others, but they were also the first company to bring out Blu-Ray discs, as well as converge with Sony- with their first partnership films, such as The Mummy, changing film technology into the industry we know today.



    Momento Analysis

    Filed under by Emma Phillips on 07:46



    The film “Memento” falls under the subgenre of a physiological thriller, of which is produced by Newmarket film studio. The film starts with an extreme close-up shot, where the camera focuses on a specific picture in the hands of the character we first see. This is then followed on by a tracking shot, which tracks up to the main character’s face. The tracking shot allows the audience to see the overall appearance of the main character, due to the slow speed of the pan showing his significance within the film itself.

    Mise-en-scene
    From the mise-en-scene, we are able to infer that the first character we see is the one we will follow throughout the movie. The significant choice of costume for him however, the colour of his suit being light cream as opposed to a violent colour such as red, may suggest a vulnerability about him; which we later go on to discover is his memory. On the other hand however, the gun in his hand, the blood on his face and the photo of the dead body he has, may portray him as a villain.

    Lighting

    In the opening of the film, there is low-key lighting, possibly to reflect the characters emotions. However, the use of dull light makes the expressions on the characters faces more noticeable, hinting towards their persona.

    Editing
    Generally, cuts are simple, such as the one used at the opening of the film, where the screen moves fro m the titles and credits of the film onto the opening scene.

    Sound
    Instantly, the mood of the film reveals negative connotations which links into the dark colours used in the mise-en-scene, adding to the tense atmosphere and making the audience believe something ominous is about to happen. This also matches the visuals well on screen, such as the credits fading in and out again. Within “Momento”, both diegetic and non-diegetic sounds are used for different effects. Non diegetic sound is used within the instrumental music, of which is played in the background whilst the title and opening credits are shown. Diegetic sounds however are shown through objects, such as the camera flashing sound and the pen scrawling whilst he makes a note of important things he needs to remember to achieve his aim of revenge. Overall, the commanding auditory and visual arrangement undoubtedly forms a successful, striking auditory experience. Furthermore, it creates an air of mystery and anticipation, which are key elements of the psychological genre.

    Conventions of a Thriller Opening

    Filed under by Emma Phillips on 05:23

    A thriller opening generally starts with non-diegetic music that emphasises the atmosphere that wishes to be portrayed towards the reader. This music will use crescendo or get faster-paced as it gets closer to the bad event happening- all in an attempt to increase tension and make the film seem more realistic and involve the viewer more. During this time, credits stating information such as the film title, lead actors and directors may also appear against either a still or moving image of the setting the movie is taking place in. For example, in "Ragged Edge" the first credit appears against a still going from day to night against the Golden Gate Bridge, San Fransisco. The mise-en-scene at this point may contain poetic fallacy to the forethcoming event, such as a thunder storm at night time, using greys and blacks to emphasise the gloomy event coming.





    An event may also occur during the first couple of minutes of the film opening, leaving the rest of the film open to explain who committed the offence, how, and why they did it. This means the narrative is not in chronological order and the plot may include flashbacks or disjointed time. During this event, the victim will appear helpless and vunerable, possibly sleeping before being disturbed by the culprit- which will be shown by reaction shots and high/low angle shots from either persons perspective.




    The culprit themselves will remain unidentifiable, with no frame being on their face but instead on different body parts or shots from the back of them looking forward.




    The thriller film itself will mainly aim to put forward a darker side of life, that aims to disturb the viewer and keep them on the edge of their seats, as well as distorting reality and showing the difference between normalcy vs the unexpected.

    "The Happening" Cover Analysis

    Filed under by Emma Phillips on 02:30

    Within the front cover of this particular movie, the cars act like a focal point in the still, which then attracts your eye to follow the road to the distance focal point which leads towards the shadow of a building against a glowing sky, which I have inferred is a city. From first view, it is easy to see that something unnatural has happened, as cars are just left abandoned at the edge of the road. The viewer’s attention is also put towards the sky, with mass poetic fallacy of dark and gloomy clouds of grey and blacks, which contrasts the distant city with is glowing in the background. The words on the cover, “we've sensed it, now it’s happening” can be inferred that something, that people may have ignored for some time, has now finally happened- and that human race will suffer greatly due to it.


    Evaluation of Preliminary Task

    Filed under by Emma Phillips on 02:17

    The first task we had to complete whilst starting As Level Media was to create a Preliminary piece of which was two minutes long, incorporating a range of shots and also editing to a high standard and to a finish. The piece itself had to include someone walking down a corridor, entering a room and then talking to someone about an event we could decide on. Throughout the process of planning and filming we were given a lot of freedom to explore our imagination and creativity, by doing so we came up with storyboards containing shots and angles, all of which had plenty of potential to be expanded on and improved.

    All in all I believe my preliminary piece was a success for many reasons. Firstly, we were able to incorporate a range of different shots and angles, all of which added greatly to the overall affect of fear that we desired the audience to get from watching our media piece. We ensured we had the correct number of shots that we needed, even if it meant repeating the same shot many times until it was perfect, more than often with a time delay before and after the actor had started to speak, to ensure editing would be easier, giving time to cut and crop.

    Through editing, we were able to gain a first idea as to how the Mac's work and how to gain the necessary affects required, as well as learning how continuity errors occur and how to overcome them. Effects, such as non-diegetic sounds (in our case, the door handle noise) were put into our piece in order to add a greater feeling of tension for the audience. Music was added in the background throughout the piece in order to add to tension also, as well as slow-motion movements, pans, slow zooms and a range of effects such as CCTV shots to give a natural appearance to the film.

    If I was to repeat this task, I would have taken yet more shots in order to make the editing process even easier, as well as using light better in order to stop frames from being dark. However, I do believe that our first media task was a success, and I surprised myself how well we adapted to editing pieces and gaining the overall piece that we wished to have from the start.









    Preliminary Task

    Filed under by Emma Phillips on 13:31

    Psycho Analysis

    Filed under by Emma Phillips on 01:18

    Psycho is a 1960 American remake film directed by Alfred Hitchcock, of which originated from Joseph Steffano. Within the scene I have been particularly asked to focus on, the shower scene, there are many different aspects that lead to its success as film in the thriller genre, and also by fulfilling its aims to making the audience feel tense and scared.

    Hitchcock uses extreme close ups of trivial objects in order to create a sense of distraction that the character is actually going through. For example, on one occasion there is a close up of the showerhead, centrally framed for mass impact and shot from a low angle point of view in order to suggest importance.




    As well as this, the shower head itself is cleverly used as a motif to reflect the image of blood flowing, which of course is after the brutal murder has taken place. The fact that the murder takes place in a shower also has significant meaning, for instance, the character would have gone into the shower to cleanse herself yet, ironically, comes out having been stabbed to death. The fact that the character is naked whilst the murder takes place shows vulnerability, making her seem helpless and unable to stop anything that is about to happen.

    The use of diegetic sounds, such as the water hitting the bath and the water running, all add a sense of reality to the scene; making the murder seem like an unlikely event. However, there are some non-diegetic sounds such as the background music and the knife as the character is being stabbed, both of which are used to create tension.

    Special effects within the scene are not as common as they are in more modern day films, with the blood from the victim and the knife itself being the main props of special effects. Using a shower as a set for a murder allowed the red blood to stand out from the “cleansing” water and therefore allow a more dramatic effect. The lighting of the scene was done in cold colours, such as greys, whites and blacks, with little colour except the blood that flowed from the victim, adding to the poetic fallacy and once again, the impact of the vicious murder.


    Edit techniques were cleverly done, with the shooting ranging from slow panning following the character around in the bathroom and then quickly swapping from shot to shot as the murder took place. The fast pace of fading in and out edits here again added to the impact of the killing, as well as the feelings of suspense the viewers would have felt.




    The film Psycho itself fits into the convention of a thriller genre of film, of which focuses greatly on adding and building suspense, tension and empathy as well as by showing society as dark, corrupt and dangerous, though they often feature a happy ending in which the villains are killed or arrested.

    In conclusions, Hithcock’s Psycho is a very successful thriller film, using many media features in order to ensure its success by inflicting an involuntary, hypnotic grip on its viewers.



    Thriller Genre Characteristics

    Filed under by Emma Phillips on 02:19

    Thriller films, literature and television generally comply to elements such as suspension and mass tension in order to engage it's reader. Sub-genres may also occur in things such as psychological thrillers, mystery and crime. Hithcock's movies are the most popular of this kind, gaining popularity mainly after the assassination of President Kennedy.

    Films of the thriller genre are characterised by an atmosphere of violence, crime and often a murder, as well as showing society and the world around us as dark, shady and dangerous, however thrillers often entale a happy ending in which the culprit is either killed or arrested. Thrillers encorouge on certain literacy devices, such as red-herrings, plot twists and often finishing on cliffhangers. They also promote on certain feelings, such as a anticipation, uncertainty, anxiety and ensuring the viewer enlists on an adrenaline rush.

    Some examples of films from a thriller genre are seen below;



    How To Improve My Analytical Writing

    Filed under by Emma Phillips on 04:36

    To improve, I must;

    • Not retell the story
    • Be detailed in the points I put forward, using examples
    • Use lots of terminology/definitions
    • Identify conventions/signifiers
    • Ensure my writing flows in the order as it happened on the film
    • Discuss the effect of each component

    Filed under by Emma Phillips on 04:31

    From the shot above, of which is from Transformers, it is clear to see that the composition of the still follows the rule of thirds. This, along with their position in the still being centred, is to create the focus of the still being on the two characters, and also the environment in the background to describe the current situation. The shot itself is an action shot, filmed at eye level in order to create a feeling of suspense as if you were there. The use of a long shot enables the viewer to connect with the characters through the visibility of their body language. For example, in this particular still, it is simple to obtain that the characters are running from something. This is supported by the smoke and ash in the air behind them.

    The camera follows the characters during this particular scene in a panning shot, creating a feeling that you are actually there and experiencing the same things. It also gives the viewer more time to follow the actions being carried out and therefore strengthening their understanding of the plot.